Chosen Ones by Veronica Roth
Rating: 4 stars
I’ve been struggling with how to review this book, because on the one hand I fell completely in love with its premise, main character, and first section, but on the other I felt that it stumbled somewhat with aspects of one plot twist and its ending. It definitely hasn’t gotten the attention that it deserves, but I also can’t say that it was unreservedly perfect due to its aforementioned issues (I’d try to go into them more, but we’d be entering spoiler territory). I sometimes get frustrated by books that I feel could have been amazing if handled differently, maybe even more so than books I feel indifferent about, just because I want to love them so much but find myself not being able to. (I’d say that for comparison I also felt this way about Middlegame by Seanan McGuire and Catherine House by Elisabeth Thomas: both 4-star reads that I was really hoping to be 5-star reads, and that therefore felt unsatisfying even though I loved so much of them.) It’s possible, also, that I am just picky and weird.
Anyways, this book is about five twenty-somethings who, ten years ago, were the Chosen Ones who saved our world from the mysterious Dark One, and who are now dealing with PTSD and trying to adapt to somewhat normal lives in Chicago, although they’re also treated as celebrities and frequently harangued in public and sought after for various events. Sloane, our Jessica Jones-esque protagonist (that is how I pictured her for the duration of the novel), is having a particularly hard time and, in an effort to help herself cope with her trauma, requests the release of documents surrounding the project that recruited and trained the teens, based on a prophecy, to find magical objects and use them to defeat the Dark One, whose workings caused mass deaths in places he caused a sort of people-melting magic tornado called Drains. In addition to the underlying tensions between the Chosen Ones and their individual struggles, we also start to suspect that evil may not be as gone from the world as we’d thought.
I’ll say it again–I LOVED this premise. I love books that delve into tropes and genre conventions only to subvert them, and I felt like this book was doing for superhero narratives what The Magicians did for portal fantasy. Sloane is a prickly, haunted, self-sufficient main character, and I loved her dynamics with golden boy Matt, her long-term boyfriend, and Albie, the Chosen One she’s bonded with the most based on a shared trauma the others weren’t present for. The inclusion of government documents and articles were a great way to slowly reveal information, and for the first part of the book I was completely on board with everything the book was doing.
And then, there’s a big twist, which I will say nothing about, and which I was at first cautiously optimistic about and then gradually liked less and less, as I felt it took away from the fascinating narrative we’d been building up until that point. I wish the book had taken a different trajectory, and although overall I did have a great experience reading it, I think it could have been stronger if it had.